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11:26:00 AM
The Maze Runner - Movie Review
Director: Wes Ball
Genre: Mystery
Release date: September 19, 2014 (United States)
Run Time: 114 minutes
Cast:
- Dylan O'Brien as Thomas,
- Kaya Scodelario as Teresa,
- Thomas Brodie-Sangster as Newt,
- Will Poulter as Gally,
- Ki Hong Lee as Minho,
- Aml Ameen as Alby,
- Blake Cooper as Chuck,
- Dexter Darden as Frypan,
- Chris Sheffield as Ben,
- Jacob Latimore as Jeff,
- Alexander Flores as Winston,
- Randall D. Cunningham as Clint,
- Joe Adler as Zart
Review: Some genres are equally
loved and despised the young-adult genre films
(YA). Also less sexes have
the success-failure record more divisions than
YA. Each dusk,
Hunger Games and divergent, there
is a Vampire Academy, Shadowhunters
and host. Nobody knows
what will appeal to young adults
today.
The Labyrinth, the last episode of this kind, fits happily into the first category of access rather than mistakes. Helps his cause that the wider use than, say, Vampire Academy, and is not desperate for the approval of your audience to respond exclusively to them.
Like all the other films mentioned, Maze Runner also features a plot that think it's smarter than it really is. In this film, people wake up in a abandoned without memory field and there is no clear way out: they are trapped and doomed to a life there and live. His only hope of escape is the next maze is open daily, closed every night and changes every night. "No one has ever survived a night in the maze." They recite this unwritten rule when they have the chance, as our old habit of singing prayers for rain gods of the ancestors.
But that's what they do with those drawn semi-matt semi-novel that account, such as Hunger Games. The strategy director Wes Ball and his three authors seem to take is to throw everything against the wall and see what sticks. And what really works. You'll be too distracted by so many things happen that you are not able to what is good and what rotten word.
They waste no time in implementing the principle, with the first stage itself is located in the maze. No silly subplots, casual romantic tracks and (almost) without wallowing on dead comrades. The pace is fast, keep accumulating in the intrigues and make just enough to get you really think the disadvantages of the film. There are some occasions where the story is going in the wrong direction, but that's all to serve the greater good and to feed its climax.
In the not so good side, some sequences in the maze remind you of the sequences of the Triwizard Cup into the maze Harry Potter and the Goblet of Fire. Special effects dazzle, but enough to be a hindrance. Each name starts with "The" and presents an initial capital letter ("Mourners", "The Blades", "The Runners"). The dialogue is reasonable and not less memorable.
Finally, the completely unsatisfactory climax. It is responsible for explaining the reason for all the film, but at the same time, possible future installments of this potential franchise. Let too many details, and it's frustrating for a lot of work that was wasted earlier in an attempt to make tons and tons of money in the future has been to see.
Yet despite the fact that absolutely no expectations of this film, I ended up finding more and more as he died. I noticed that I play together, ready to sit back and let the film take me on the trip you have in your mind. And much of this has to do with its friendly cast, led by an impressive Lobo teenager Dylan O'Brien performance as the hero, the last hope of the inhabitants of the city, like a prison.
It has more characters than a wedding nearby and around there bones in your body. Yet the film manages all the work for many and how. That reminds me, maybe there is still hope for the kind young adults, after all.
The Labyrinth, the last episode of this kind, fits happily into the first category of access rather than mistakes. Helps his cause that the wider use than, say, Vampire Academy, and is not desperate for the approval of your audience to respond exclusively to them.
Like all the other films mentioned, Maze Runner also features a plot that think it's smarter than it really is. In this film, people wake up in a abandoned without memory field and there is no clear way out: they are trapped and doomed to a life there and live. His only hope of escape is the next maze is open daily, closed every night and changes every night. "No one has ever survived a night in the maze." They recite this unwritten rule when they have the chance, as our old habit of singing prayers for rain gods of the ancestors.
But that's what they do with those drawn semi-matt semi-novel that account, such as Hunger Games. The strategy director Wes Ball and his three authors seem to take is to throw everything against the wall and see what sticks. And what really works. You'll be too distracted by so many things happen that you are not able to what is good and what rotten word.
They waste no time in implementing the principle, with the first stage itself is located in the maze. No silly subplots, casual romantic tracks and (almost) without wallowing on dead comrades. The pace is fast, keep accumulating in the intrigues and make just enough to get you really think the disadvantages of the film. There are some occasions where the story is going in the wrong direction, but that's all to serve the greater good and to feed its climax.
In the not so good side, some sequences in the maze remind you of the sequences of the Triwizard Cup into the maze Harry Potter and the Goblet of Fire. Special effects dazzle, but enough to be a hindrance. Each name starts with "The" and presents an initial capital letter ("Mourners", "The Blades", "The Runners"). The dialogue is reasonable and not less memorable.
Finally, the completely unsatisfactory climax. It is responsible for explaining the reason for all the film, but at the same time, possible future installments of this potential franchise. Let too many details, and it's frustrating for a lot of work that was wasted earlier in an attempt to make tons and tons of money in the future has been to see.
Yet despite the fact that absolutely no expectations of this film, I ended up finding more and more as he died. I noticed that I play together, ready to sit back and let the film take me on the trip you have in your mind. And much of this has to do with its friendly cast, led by an impressive Lobo teenager Dylan O'Brien performance as the hero, the last hope of the inhabitants of the city, like a prison.
It has more characters than a wedding nearby and around there bones in your body. Yet the film manages all the work for many and how. That reminds me, maybe there is still hope for the kind young adults, after all.
