Movie Of This Month: Mystery Films

Rahasya – Bollywood Movie Review of This Month

9:43:00 AM

Rahasya – Bollywood Movie

Director: Manish Gupta

Genre: Mystery

Release date: January 30, 2015

Run Time: Not Available

Cast:

1. Ashish Vidyarthi as Sachin Mahajan,

2. Tisca Chopra as Aarti Mahajan,

3. Kay Kay Menon as Sunil Paraskar,

4. Mita Vasisht as Brinda Chhabria,

5. Kunal Sharma as Riyaz Noorani,

6. Ashwini Kalsekar as Remi Fernandes,

7. Sakshi Sem as Ayesha Mahajan

Produced:

UVI Film Productions Pvt. Ltd.

Mrs. Monica Vimal Maluka

Production co:

Viacom 18 Motion Pictures

Story:

Manish Gupta

Music:

RANJIT BAROT

Country:

India

Language:

Hindi

Review: Don\'t we tend to all sort of a good whodunit? an ideal pitiless whodunit and engulfs you into it as it\'s twists and turns change surface. Well, Rahasya guarantees to be precisely that.

An Agastha Dame Agatha Mary Clarissa Christie vogue mystery story, Rahasya came into limelight as a movie allegedly supported world double murder case of Arushi and her house facilitate Hemraj. What followed was enough hue and cry from Arushi\'s oldsters Rajesh and Nupur Talwar United Nations agency are condemned for the crime. However, Rahasya neatly maneuvers itself like a shot once establishing the most premise that will bear likeness to the $64000 life case, into a full-blown whodunit waiting to be solved .

Sachin Mahajan (Ashish Vidyarthi) and his woman Aarti (Tisca Chopra), a doctor couple lead a luxurious and respectable life what with their 2 storied house in Mumbai. However, their swish sailing life hits a unexpected storm with the murder of their teen girl Ayesha who\'s body is found by their maid Rimi (Ashwini Kalsekar). Their servent Chetan goes missing too. Secrets ANd murky details of their lives begin returning to fore as an investigation by CBI Officer Sunil Palaskar (Kay Kay Menon) kick starts. Who\'s the killer? The father? Mother? Servent? Maid? The additional Sunil Palaskar digs, the additional the plot tickens.

Filmmaker Manish Gupta United Nations agency has films just like the Stoneman Murders and Hostel to his credit keeps the suspense within the heroic tale intact throughout the primary [*fr1]. The nail biting flip of events, the grim mood, the pace of the story, all of it keeps you at the sting of your seats. The film could\'ve been a close to good crime heroic tale but, the curse of the half stings Gupta too and he loses his management of the plot. The film starts volute down and what follows could be a unoriginal or a extremely inevitable climax creating the film a giant drug of abuse.

Also another disadvantage of the film is its runtime. a movie which does not boast of the mediocrities of film industry cinema like songs, dances, forced romance, stunts, flying cars and chases sequences, is shade too long at 124 minutes. Moreover, the climax conjointly leaves several things unexplained particularly the method Sunil Palaskar nabs the offender with no clear sturdy proof against the person giving a rather half-baked feel to the mystery story.

However, to offer credit wherever its due, Gupta puts along a movie that is fashionable, slick, taut and gripping; in most components. Faroukh Mistry\'s motion-picture photography, Ranjit Barot\'s sinister background score elevate the expertise of observation against the law heroic tale.

But what works the foremost within the favour of the film is that the apt casting. There could not are a additional appropriate role for Kay Kay Menon. The character will complete justice to his potential as AN actor. Kay Kay is humourous, stern, pitiless all quickly and in the slightest degree the proper places. It\'s positively a good lesson for several filmmakers together with the recent Neeraj Pandey (Baby) to ne\'er undermine the potential of Kay Kay Menon\'s talent ANd waste a gem of an actor as him by labour him for minute roles.

To total it up, Rahasya lies totally on the shoulders of Kay Kay Menon. Watch it for a riveting half and large performance.

Blackhat – Hollywood Movie Review of This Month

3:33:00 PM

Blackhat –

hollywood Movie

Director: Michael Mann

Genre: Action, mystery

Release date: January 16, 2015

Run Time:- 133 minutes

Cast:

1. Chris Hemsworth,

2. Viola Davis,

3. Tang Wei,

4. William Mapother,

5. Holt McCallany,

6. John Ortiz,

7. Yorick van Wageningen,

8. Ritchie Coster,

9. Manny Montana,

10. Jason Butler Harner

Producer:

Michael Mann,

Thomas Tull,

Jon Jashni

Production Co:

Legendary Pictures

Music:

Harry Gregson,

Atticus Ross

Cinematography:

Stuart Dryburgh

Country:

United States

Language:

English

Review: A hacker plot of spectacular malevolence propels Blackhat, Michael Mann’s alternately heart-pounding and disappointingly dry new adventure story. Drilling straight into Digital Age anxieties, the movie maker brings his affinity for outsiders, and his medium mastery of the cityscape, to the globe-hopping story of a convict UN agency becomes a government quality and, finally, a fugitive. At its best, the flick achieves a broody dazzle, when the narrative proves less unforgettable than one would have hoped. however the fluency of Mann’s direction and also the slow-burn chemistry between Chris Hemsworth and Tang Wei counterbalance the a lot of standard, and not invariably involving, procedural parts.

For all its headline-resonant specifics concerning laptop forensics, Blackhat — that takes its name from the term for hackers with damaging intent — has one thing of associate old-school flick heart: Its central couple’s race against the clock recollects such \'60s thrillers as Stanley Donen’s Arabesque, that cellular no but Gregory Peck and Sofia Scicolone against devious masterminds exploitation hieroglyphic messages. Here the hieroglyphics ar strings of glowing numbers on screens, and whereas Mann’s vision is way grittier and a lot of muscular than Donen’s, it’s no less elegant. A tinge of glamour, too, is associate inescapable aspect result once the lead actor has simply been christened People’s Sexiest Man Alive.

With much more moving elements than Mann’s Collateral, the flick hasn’t the sleek tautness of that drama. however audiences seeking a grown-up various to awards-season status footage, and people drawn by the prospect to examine Hemsworth while not the fantasy trappings of Norse deity — however with a exposure chance or 2 — ought to offer the wide unleash a solid box-office showing.

For his 1st big-screen directorial effort since 2009’s Public Enemies, Mann orchestrates a series of virtuosity set items, each stateside and in Asia. The story, written by Morgan Davis Foehl from the director’s analysis, opens with a bolt of urgency as 2 terribly totally different disasters strike in fast succession, each triggered by malware: a nuclear plant explosion in China and a market-toppling run-up in U.S. commodities futures. Despite the reluctance of her boss (John Ortiz), government agent Carol Barrett (Viola Davis, formidable) liaises with Chinese cyberdefense skilled Chen Dawai (Wang Leehom), UN agency insists that the person for the duty is his former university schoolmate, Nicholas married woman (Hemsworth).

A committal to writing genius UN agency took a couple of wrong turns and landed within the penitentiary, married woman could be a reticent fictitious character of types — his hacking targeted banks, not people, he’s fast to suggests. he is additionally fast to bet on the feds’ provide of furlough for his case-solving efforts into a commutation of his 15-year sentence if he gets the offender. His chief ally within the project seems to be Chen’s formidable network engineer sister, Chen Lien (Tang) — UN agency, given the actress’s accented English, apparently spent less time within the States than her brother. In some ways, though, she’s a lot of savvy.

Not solely will Lien acumen to slur over tensions with the flinty Carol, however she’s sensitive to Hathaway’s disorientation upon being discharged from jail. Even after they clash, these 2 perceive every other; Hemsworth and Tang (Lust, Caution) imbue the characters with a melancholy intensity. They’re recent souls whose emotional affiliation involves the fore across a eating place table in L.A.’s Koreatown, albeit somewhat tempered by Tang’s apparent struggle with English people dialogue. Tellingly, their breakthrough moment offers thanks to a dark intrusion, and also the scene ends in brutal violence.

With nobody claiming responsibility for the disasters and married woman sure that “the real hit remains to come back,” the pressure is on. The explore for the plot’s designer can take the central characters from la to metropolis, Jakarta and national capital, with Stuart Dryburgh’s dynamic filming a fine match for Mann’s strong visual vogue.

But the essential drawback of cyber-thrillers is one that still precocious a director hasn’t quite resolved, notably within the film’s 1st half: Characters watching laptop screens and explaining the importance of what they see doesn’t wreak the foremost absorbing viewing. Mann augments the verbalize encrypted information, information processing addresses and remote access tools with conventionalized effects that represent the net. The camera swoops through a grid of electronic equipment that begins to seem like associate icy view of abandoned underworld cities, giving type to the shadow aspect of wired-world connectedness. The device recollects the gap of his 1st theatrical film, Thief, method back in analog days, with its dive into the inner workings of machinery.

It isn’t till associate hour in, once the hit-and-miss business of setup is out of the method, that the flick hits its charged stride. In subways, seaports and town centers, the pulse-point cutting (by a quartet of editors) is each precise and unnoticeable, whether or not the scene could be a chase or a voice communication. The music (by a trio of composers) is diversely churning, melodic and music, in each case a mood-heightening match for the visuals.

The ultimate theme seems to be a politics doozy that needs a liberal suspension of disbelief, undercutting the story’s potential chill issue. Mann has ne\'er shied off from massive gestures, and if Blackhat is simpler as a visceral ride than a stimulating comment, it’s even so stuffed with beautiful pictures of dark beauty.

The dialogue, principally crisp and distributed, will lapse into unoriginal in addition, and one line of pointed backstory for Davis’ character feels tacked-on. however the forged is sharp down the road, with Ritchie Coster’s role a minatory standout among the supporting performers.

Tang and pop star Wang effortlessly convey their relation characters’ privileged background, whereas Hemsworth makes married woman a compelling mystery man, deploying a sideways look sort of a plan of action weapon. a lot of of the flick might feel far-fetched, however not Hathaway’s disposition to cross an explicit line — with none aside from the National Security Agency. It’s a move which will set him adrift, forced to run from governments in addition as cybercriminals. In therefore doing, he joins a lineage: the boys outside the system UN agency populate Mann’s singular filmography.