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7:06:00 AM
Mandela:- Long Walk To Freedom- Movie Review
Director:- Justin Chadwick
Genre:-
Biopic
Release date:- 3 January 2014
(United Kingdom)
Run Time:- 148 minutes
Cast:-
- Idris Elba,
- Naomie Harris,
- Tony Kgoroge ,
- Riaad Moosa ,
- Zolani Mkiva ,
- Simo Mogwaza ,
- Carl Beukes ,
- Thapelo Mokoena ,
- Jamie Bartlett ,
- Deon Lotz ,
- Terry Pheto ,
- Sello Maake ,
- Gys de Villiers ,
- Fana ,
- okoena
Review: Based on the eponymous autobiography
of Nelson Mandela in 1995, the
film shows fragments of the life of
Mandela, an episodic documentary Annex -
as a lawyer, against, political revolutionary man-apartheid activist, who was elected president of the South Africa in 1994.
What the film is lost is his third marriage to Graça Machel and his last days.
Loaded with spectacular scenes of movement and generic clichés, director Justin Chadwick "Mandela: Long Walk to Freedom" in the context of institutional racism long is far from being a biopic inspiring and stimulating.
An idea is not given as a character Mandela a hero, but as an ordinary man who is able to succumb to lust. The film also shows the history of the struggle for freedom against apartheid in South Africa.
"I dream the same dream night after night. I'm going home to Orlando ... they seem to be fine with their lives, but they do not see me ..." markers voiceover of the film, which begins recurring with children playing in the desert mount of gold in the summer hues in South Africa.
Moments later, again in a voiceover, Mandela explains why his father called Rolihlahla. "My father called me a troublemaker ... but I wanted to make my family proud," said the defense.
The story then jumps to Johannesburg in 1942 to give an idea of him as a cunning and ambitious lawyer. The scene begins to see a dramatic lawyer coveted. And to support its claim, the next scene shows shamelessly defend his client, accused of stealing underwear from his wife. This humorous scene certainly improves the history of the mind, but unfortunately right after that, it just plateaus film.
Usually the best biopics tend to show that, with the help of innocuous why this person was his remarkable times. "Mandela: Long Walk to Freedom" have one, but unfortunately, the passion to paint what is missing.
For example, the entrance of Mandela in politics, one of the first steps in your life, is justified by one scene in which a drunken black matrices in custody after Mandela land burn their identity and make revolutionary speech public places.
Which does not reflect the fear of Mandela, as is not his strong moral wife and children.
But once he is in prison, the story of Winnie keeps the audience glued.
Idris Elba did a great job as Mandela. His transition from a young to an octogenarian is dropped once or twice a prosthesis, but otherwise it's pretty convincing. He personifies Mandela walk and talk perfectly.
Naomie Harris as Winnie is intense and dazzling. It is a pleasure to see as complicated and controversial Mrs Mandela, who was thrown to the political, from the unfinished business of her husband while he was in prison. The tone of his character seems to lean in favor of Nelson Mandela, who does not give a true picture of their interpersonal relationships.
The film, shot on location of assets, is a symbol of the approach Director General Chadwick. It depicts the expected riots with new media material from which the battle in the streets to the music of Bob Marley and Public Enemy. There are also sculptures BBC 70th birthday tribute concert for Nelson Mandela, held at Wembley in 1988 and broadcast around the world.
Overall, the film is a tribute to this extraordinary man, but lacks the emotional drive to the icon on the screen.
What the film is lost is his third marriage to Graça Machel and his last days.
Loaded with spectacular scenes of movement and generic clichés, director Justin Chadwick "Mandela: Long Walk to Freedom" in the context of institutional racism long is far from being a biopic inspiring and stimulating.
An idea is not given as a character Mandela a hero, but as an ordinary man who is able to succumb to lust. The film also shows the history of the struggle for freedom against apartheid in South Africa.
"I dream the same dream night after night. I'm going home to Orlando ... they seem to be fine with their lives, but they do not see me ..." markers voiceover of the film, which begins recurring with children playing in the desert mount of gold in the summer hues in South Africa.
Moments later, again in a voiceover, Mandela explains why his father called Rolihlahla. "My father called me a troublemaker ... but I wanted to make my family proud," said the defense.
The story then jumps to Johannesburg in 1942 to give an idea of him as a cunning and ambitious lawyer. The scene begins to see a dramatic lawyer coveted. And to support its claim, the next scene shows shamelessly defend his client, accused of stealing underwear from his wife. This humorous scene certainly improves the history of the mind, but unfortunately right after that, it just plateaus film.
Usually the best biopics tend to show that, with the help of innocuous why this person was his remarkable times. "Mandela: Long Walk to Freedom" have one, but unfortunately, the passion to paint what is missing.
For example, the entrance of Mandela in politics, one of the first steps in your life, is justified by one scene in which a drunken black matrices in custody after Mandela land burn their identity and make revolutionary speech public places.
Which does not reflect the fear of Mandela, as is not his strong moral wife and children.
But once he is in prison, the story of Winnie keeps the audience glued.
Idris Elba did a great job as Mandela. His transition from a young to an octogenarian is dropped once or twice a prosthesis, but otherwise it's pretty convincing. He personifies Mandela walk and talk perfectly.
Naomie Harris as Winnie is intense and dazzling. It is a pleasure to see as complicated and controversial Mrs Mandela, who was thrown to the political, from the unfinished business of her husband while he was in prison. The tone of his character seems to lean in favor of Nelson Mandela, who does not give a true picture of their interpersonal relationships.
The film, shot on location of assets, is a symbol of the approach Director General Chadwick. It depicts the expected riots with new media material from which the battle in the streets to the music of Bob Marley and Public Enemy. There are also sculptures BBC 70th birthday tribute concert for Nelson Mandela, held at Wembley in 1988 and broadcast around the world.
Overall, the film is a tribute to this extraordinary man, but lacks the emotional drive to the icon on the screen.
