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Director:- Peter Jackson
Genre:- Adventure
Release date:-17 December 2014
(United States)
Run time:- 147 minutes
Cast:-
01. Martin Freeman as Bilbo Baggins,
02. Richard Armitage as Thorin Oakenshield II,
03. Ian McKellen as Gandalf the Grey,
04. Luke Evans as Bard the Bowman,
05. Cate Blanchett as Galadriel,
06. Hugo Weaving as Elrond,
07. Christopher Lee as Saruman the White,
08. Orlando Bloom as Legolas Greenleaf,
09. Lee Pace as Thranduil,
10. Evangeline Lilly as Tauriel,
11. Dean O'Gorman as Fíli,
12. Graham McTavish as Dwalin,
13. Ken Stott as Balin,
14. Aidan Turner as Kíli,
15. Dean O'Gorman as Fíli,
16. Mark Hadlow as Dori,
17. Jed Brophy as Nori,
18. Adam Brown as Ori,
19. John Callen as Óin, Peter Hambleton as Glóin,
20. Benedict Cumberbatch as Smaug ,
21. William Kircher as Bifur,
22. James Nesbitt as Bofur,
23. Stephen Hunter as Bombur,
01. Martin Freeman as Bilbo Baggins,
02. Richard Armitage as Thorin Oakenshield II,
03. Ian McKellen as Gandalf the Grey,
04. Luke Evans as Bard the Bowman,
05. Cate Blanchett as Galadriel,
06. Hugo Weaving as Elrond,
07. Christopher Lee as Saruman the White,
08. Orlando Bloom as Legolas Greenleaf,
09. Lee Pace as Thranduil,
10. Evangeline Lilly as Tauriel,
11. Dean O'Gorman as Fíli,
12. Graham McTavish as Dwalin,
13. Ken Stott as Balin,
14. Aidan Turner as Kíli,
15. Dean O'Gorman as Fíli,
16. Mark Hadlow as Dori,
17. Jed Brophy as Nori,
18. Adam Brown as Ori,
19. John Callen as Óin, Peter Hambleton as Glóin,
20. Benedict Cumberbatch as Smaug ,
21. William Kircher as Bifur,
22. James Nesbitt as Bofur,
23. Stephen Hunter as Bombur,
Produced by:- Carolynne
Cunningham, Zane
Weiner, Peter
Jackson,
Screenplay:- Fran
Walsh, Philippa
Boyens, Peter
Jackson, Guillermo
del Toro,
Music:- Howard
Shore,
Cinematography:- Andrew
Lesnie
Production companies:- New Line Cinema,Metro-Goldwyn-Mayer,WingNut Films
Language:- English
Country:- New Zealand, United States.
Distributed by
Warner Bros. Pictures
|
Review: Before
the critics of “The Hobbit”: The Battle of Five Armies, Armies, will hold a
two-minute silence of Middle-earth and still is absurd herd charming characters
who will probably never see again. Unless the director decided chronic film
(trilogy) days of youth Gandalf The Grey idea that, frankly, seems even more
absurd that the conversion of one novel in three Hobbit movies.
Battle of Five Armies is presented
as the decisive chapter in the trilogy of The Hobbit, a chapter that tie all
loose ends and stay son that were established in previous films and act as a
real prelude to the Lord of the Rings. Thus, these responsibilities that do a
good job to do. All characters reach their conclusions, which, of course, and a
little forced, and all the subframes are adequately addressed. But the concern
is that the film never more successful than the sum of its parts. To this is
added, is in the uncomfortable position of each scene and searched the word
compared to almost 15 hours of the saga of Middle-earth that was there before
him.
The film begins with melodrama The Desolation of Smaug ended with Smaug on the loose and eager to avenge Laketown. The idea of this wonderful, great dragon (mouth and promulgated by Benedict Cumberbatch) literally breathes fire on innocent people of the city was enough to feel the nostalgic excitement. But that did not last long, and Smaug is the beginning of the film. In a well-choreographed sequence, I might add.
From that moment the film begins a journey that sometimes tense times, frustrating and illogical, and many strongly reminiscent of the five films of the Earth above medium.
the film turns into a human Legolas above, flying birds, makes it extraordinary length jumps and climbs rocks falling from a bridge, like the rungs of a ladder. The decrease in literal cazafortunas Thorin's interesting, but it is quite similar to the lust of Frodo for power ring in the Lord of the Rings. How long is the final battle, is stylistically similar, but much lower than the corresponding previous sequences.
The film is sufficiently dark and gloomy, but focuses heavily on melodrama instead make the film worth the public. The final battle begins in a promissory note, but halfway through, completely suppressed the true battlefield and many characters in a different location for the sole purpose of creating an emotional drama of these characters to give more weight. Love, redemption is accomplished, armies and people and animals arrive just in time to save important characters. Despite the thousands killed in the battle, almost nobody dies of notoriety.
Despite her love for Peter Jackson and all the characters that we know so well, you can not help but feel a little disappointed with the result that the film. Jackson live and breathe in this world for the past 15 years. He probably sleeps in vegetables and chops armor with a sword in the house. He knows this world better than almost anyone, except perhaps JRR Tolkien. But the fact is that it does not say much, as evidenced by the meager performance of 144 minutes duration of the film, which is much shorter than all the films that came before him. There is simply not enough left for his characters, and ends the film to walk without purpose.
Jackson did everything to save the process, focusing on stories of love and friendship and parent-child relationships, but ends up taking the vapor film and other drops. Jackson and his fellow writers (including filmmaker Guillermo del Toro) are not able to get even more exciting adventures or tramp (so to speak) to obtain, instead of concentrating all the action and almost all of film around a square, the Lonely Mountains.
It does not help that no performance really stand out. Each plays its role, but no assignment. Martin Freeman as the eponymous Hobbit, with a much shorter time to reflect on this occasion. The same applies to Gandalf Ian McKellen, which sometimes seems to unconditionally ignored powerless advisor giving everything. Many characters, including Hugo Weaving Elrond, there is only the fact that the film is actually a prequel set of Lord of the Rings. Benedict Cumberbatch as Smaug is a fascinating time, but their role is of short duration.
Despite the inconsistencies of the film and many, many follies, you can not help but feel an emotional attachment to it, almost like the love of a mother for her son hesitantly. We have long passed into Middle-earth and had too much fun to reject completely the last descent of us in this mystical land. Although it's not quite the end you have imagined and deserved, is still worth the ticket price, except for the final farewell.
The film begins with melodrama The Desolation of Smaug ended with Smaug on the loose and eager to avenge Laketown. The idea of this wonderful, great dragon (mouth and promulgated by Benedict Cumberbatch) literally breathes fire on innocent people of the city was enough to feel the nostalgic excitement. But that did not last long, and Smaug is the beginning of the film. In a well-choreographed sequence, I might add.
From that moment the film begins a journey that sometimes tense times, frustrating and illogical, and many strongly reminiscent of the five films of the Earth above medium.
the film turns into a human Legolas above, flying birds, makes it extraordinary length jumps and climbs rocks falling from a bridge, like the rungs of a ladder. The decrease in literal cazafortunas Thorin's interesting, but it is quite similar to the lust of Frodo for power ring in the Lord of the Rings. How long is the final battle, is stylistically similar, but much lower than the corresponding previous sequences.
The film is sufficiently dark and gloomy, but focuses heavily on melodrama instead make the film worth the public. The final battle begins in a promissory note, but halfway through, completely suppressed the true battlefield and many characters in a different location for the sole purpose of creating an emotional drama of these characters to give more weight. Love, redemption is accomplished, armies and people and animals arrive just in time to save important characters. Despite the thousands killed in the battle, almost nobody dies of notoriety.
Despite her love for Peter Jackson and all the characters that we know so well, you can not help but feel a little disappointed with the result that the film. Jackson live and breathe in this world for the past 15 years. He probably sleeps in vegetables and chops armor with a sword in the house. He knows this world better than almost anyone, except perhaps JRR Tolkien. But the fact is that it does not say much, as evidenced by the meager performance of 144 minutes duration of the film, which is much shorter than all the films that came before him. There is simply not enough left for his characters, and ends the film to walk without purpose.
Jackson did everything to save the process, focusing on stories of love and friendship and parent-child relationships, but ends up taking the vapor film and other drops. Jackson and his fellow writers (including filmmaker Guillermo del Toro) are not able to get even more exciting adventures or tramp (so to speak) to obtain, instead of concentrating all the action and almost all of film around a square, the Lonely Mountains.
It does not help that no performance really stand out. Each plays its role, but no assignment. Martin Freeman as the eponymous Hobbit, with a much shorter time to reflect on this occasion. The same applies to Gandalf Ian McKellen, which sometimes seems to unconditionally ignored powerless advisor giving everything. Many characters, including Hugo Weaving Elrond, there is only the fact that the film is actually a prequel set of Lord of the Rings. Benedict Cumberbatch as Smaug is a fascinating time, but their role is of short duration.
Despite the inconsistencies of the film and many, many follies, you can not help but feel an emotional attachment to it, almost like the love of a mother for her son hesitantly. We have long passed into Middle-earth and had too much fun to reject completely the last descent of us in this mystical land. Although it's not quite the end you have imagined and deserved, is still worth the ticket price, except for the final farewell.
