Mumbai Can Dance Saala – Bollywood Movie Review of this Month

Mumbai Can Dance Saala – Movie Review 

Director:  Sachindra Sharma

Genre: Drama

Release date:  2 January, 2015

Cast:

Ashima Sharma,

Prashant Narayan,

Aditya Pancholi,

Shakti Kapoor,

Rakhi Sawant,

Pankaj Berry,

Pradeep Agarwal,

Kiran Janjani,

Mukesh Tiwari

Producer:

Ranjeet Sharma

Music:

Bappi Lahari,

Nitin Shankar,

Naresh Karwala

Lyrics:
Shabbir Ahmed,
Dr. Deepak Sneh,
Taufiq Pallavi,
Naresh Karwala,

Writer:

Sachindra Sharma


Choreography:

Lolly Pop,

Ganesh Acharya

Distributed:

Zee Music Company

Country:

India

Language: 

Hindi

Review:   I felt Mumbai Can Dance Saala was a dance contest. He was reasonably sure Shakti Kapoor and Aditya Pancholi opposing coaches play with Prashant Narayanan as maverick dancer outcast. As it turns out, Kapoor, in an attempt to appear less sensual, playing a gay designer. Only bargirl sewn dresses, a small budget Stanley Tucci in The Devil Wears Prada. The bellows server in a British accent, apparently a sign of homosexuality. Their shirts are popping fat tight and unusually pale belly with pride. Effeminate thunderous "Hello" in front beads gutters screen as "Yeh sab ko khilata Ganna hai hai Anna"

But neither he nor as music director Bappi da is the culmination of that ... thing. Neither the gift of Dubai is known as "Badshah" which has a song called Article Badshah, singing and riding background 'Badshah'.

None of them come close to Julie, a veteran and self-proclaimed idol bargirl the young'uns. "You jhoppadpatti" she screams in an argument with her lover in Dubai. If they do not breathe a lot on her face, she calls a stray. I took a little, and he tries to bite me when I write about it. Julie screen presence is accompanied by the cries of a wild cat in heat. Rakhi Sawant, who is now a children's game Chucky looks Julie. Fortunately, his voice dubbed.

The second half was a delay of 5 seconds of audio. Suddenly, the dogs began to speak in the voice of Prashant, Rakhi started spinning wildly, and Shakti spoke moans. This, without doubt, the greatest work of the author of challenging 3D review Godard was language. If only it was intentional