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| Entertainment |
Big Eyes - Movie
Review
Director: Tim Burton
Genre: Biopic, Drama
Release date: January 09, 2015
Run Time:- 106 minutes
Cast:
1.
Amy
Adams as Margaret Keane,
2.
Christoph
Waltz as Walter Keane,
3.
Jon
Polito as Enrico Banducci,
4.
Krysten
Ritter as DeAnn,
5.
Danny
Huston as Dick Nolan,
6.
Terence
Stamp as John Canaday,
7.
Delaney
Raye as Young Jane Ulbrich,
8.
Jason Schwartzman
as Ruben,
9. Madeleine Arthur as Older Jane Ulbrich
Producer:
Tim Burton,
Lynette Howell,
Harvey Weinstein,
Jamie Patricof,
Bob Weinstein,
Larry Karaszewski
Production Co:
Production Co:
Silverwood Films,
Entertainment,
Tim Burton Productions
Entertainment,
Tim Burton Productions
Music:
Danny Elfman
Cinematography:
Cinematography:
Bruno
Delbonnel
Screenplay:
Scott
Alexander
Country:
United States
Language:
English
Review: Team Big Eyes Burton
returns to form with
screenwriters Larry Karaszewski,
who worked on the (dare I say-M?) Masterpiece
Ed Wood. Both
films are a misunderstood artist,
but the similarities end there. The new
film tells the strange story, but true of
Margaret Keane (Amy Adams), a divorced woman who arrives with his daughter in San Francisco at the end of 1950. It is a bit of a
mystery - women simply did
not just get up and leave their spouses at the time - but she is proud of her paintings. His work, in
the first of his many portraits of his daughter, in the shape of cute bum,
but sad that children with big dark eyes.
Margaret is a stable supplier Walter Keane (Christoph Waltz), a man of property and scenes "Sunday painter" of annoying street. What it lacks artistic spark more room for chatting and quackery. It can not work or Margaret exhibited in galleries, so it works for an agreement with photos Hungry jazz club. When Walter pleads with the club owner (Jon Polito), to happiness, while the press is watching. In the confusion, the paintings begin to sell and the next thing you know, Walter is taking credit for the work of Margaret.
They not only sell a few portraits of the "big eyes of abandoned children"; the paintings become a national sensation. Despite the work being ridiculed by critics of kitsch serious art, Walter, with the help of a columnist colleague (Danny Huston), was seen and admired by movie stars. It goes on television. The masses who can not afford a painting posters are therefore buy cheaply. Even Andy Warhol approved. Meanwhile, locked in a dark studio in his new googie style mansion, creating more slaves Margaret "Keanes'.
The slow burning eyes looks Margaret find the courage to face her husband, resulting in an interesting and fun judgment. Although it was founded 50 years ago, big eyes is a scary movie of the moment. Himself a figure of American culture kitsch edge - - more testimonies from victims of Bill Cosby hear many still refuse to take the allegations of a woman at face value. Online absurd CNN talking head Don Lemon questioning Tarshis Joan exposes the misconception that some people still have of the abuse of power. Margaret has her confidence and body slowly and methodically destroyed. Walter can trip into their schedule, knowing that he can rely on the argument of "place of women" as a reinforcement of a patriarchal system will be required. (A visit to a Roman Catholic priest says Margarita where you just do what you are told is one of the most difficult moments in the film.)
The environment and the politics of the time are what keeps intriguing big eyes, but as the vagabond tables, yes, the script is not exactly subtle. There are many scenes that we do not get a vision of both the thought processes of a character through an intelligent observation, we understand that the characters standing in a hallway and shout their internal conflicts with each other. You Shader support players, even the most entertaining maverick gallery (Jason Schwartzman), or an art critic for the posh (Terence Stamp) New York Times, there are really barking of a point of view and not slip gracefully in drama.
Common language of Tim Burton glances by moderation. It would be fantastic house and then there are the paintings themselves, which blend well with the iconography established Burton macabre joke. Part of the problem of the film, however, is that it is difficult to know whether to laugh or should celebrate the work of Margaret. Certainly, the care we took Margaret and Walter shape, but its character is represented as a figure representing a wide range of topics, without a real person. This film aims to be an oil painting, but is found in more than one, but quality mass production.
Margaret is a stable supplier Walter Keane (Christoph Waltz), a man of property and scenes "Sunday painter" of annoying street. What it lacks artistic spark more room for chatting and quackery. It can not work or Margaret exhibited in galleries, so it works for an agreement with photos Hungry jazz club. When Walter pleads with the club owner (Jon Polito), to happiness, while the press is watching. In the confusion, the paintings begin to sell and the next thing you know, Walter is taking credit for the work of Margaret.
They not only sell a few portraits of the "big eyes of abandoned children"; the paintings become a national sensation. Despite the work being ridiculed by critics of kitsch serious art, Walter, with the help of a columnist colleague (Danny Huston), was seen and admired by movie stars. It goes on television. The masses who can not afford a painting posters are therefore buy cheaply. Even Andy Warhol approved. Meanwhile, locked in a dark studio in his new googie style mansion, creating more slaves Margaret "Keanes'.
The slow burning eyes looks Margaret find the courage to face her husband, resulting in an interesting and fun judgment. Although it was founded 50 years ago, big eyes is a scary movie of the moment. Himself a figure of American culture kitsch edge - - more testimonies from victims of Bill Cosby hear many still refuse to take the allegations of a woman at face value. Online absurd CNN talking head Don Lemon questioning Tarshis Joan exposes the misconception that some people still have of the abuse of power. Margaret has her confidence and body slowly and methodically destroyed. Walter can trip into their schedule, knowing that he can rely on the argument of "place of women" as a reinforcement of a patriarchal system will be required. (A visit to a Roman Catholic priest says Margarita where you just do what you are told is one of the most difficult moments in the film.)
The environment and the politics of the time are what keeps intriguing big eyes, but as the vagabond tables, yes, the script is not exactly subtle. There are many scenes that we do not get a vision of both the thought processes of a character through an intelligent observation, we understand that the characters standing in a hallway and shout their internal conflicts with each other. You Shader support players, even the most entertaining maverick gallery (Jason Schwartzman), or an art critic for the posh (Terence Stamp) New York Times, there are really barking of a point of view and not slip gracefully in drama.
Common language of Tim Burton glances by moderation. It would be fantastic house and then there are the paintings themselves, which blend well with the iconography established Burton macabre joke. Part of the problem of the film, however, is that it is difficult to know whether to laugh or should celebrate the work of Margaret. Certainly, the care we took Margaret and Walter shape, but its character is represented as a figure representing a wide range of topics, without a real person. This film aims to be an oil painting, but is found in more than one, but quality mass production.
