Once Upon Ay Time In Mumbai Dobaara! - Movie Review
Director: Milan Luthria
Genre:
Drama
Release
dates: 15 August, 2013
Run Time: 160 minutes
Cast:
- Akshay Kumar,
- Sonakshi Sinha,
- Imran Khan
Review: Once Upon ay
Time in Mumbai Dobaara Bollywood movies are charmed by dreaded D's underworld. As the story is told in the retro-rap, or double Donations elegant design,
high gloss or savage realism. This endless love story remains Lawless. In OUATIMD,
a love triangle forms the line of history, full of Molls's donnisms' with Crush
and exaggeration of "loaded" dialogues dialogues.
After Shoaib (Akshay) broke his own guru of the band (the prequel), the decision of the mafia with Terror Squad scattered everywhere. Of course, the city of Mumbai wrapped in glamor, fame and bloody crimes still bhais folders ("ke Baad Samundar Mumbai Shoaib is jani jaati hai!") Imagined. Brings together young Shoaib Aslam (Imran) of chawls and takes him under his wing. His' bhaihood is bulletproof, but only later, when years starlet Jasmine (Sonakshi) between Shoaib and arrested with his charm and gullibility. The Rogue Romeo becomes an obsession, but it was "theme" Aslam selected. Suddenly the way down the other
dhandas mortals to deal with crimes of passion instead (great!).
Milan Luthria captures the essence of the era, full of characters behind life "Dark Shadows" with an even darker consciousness. It is a love story of a gangster, who every day not opened down crime. The first part is attractive; slowness is not the same fluid. Powerful dialogues (Rajat Aroraa) drama punch in history, although sometimes too dominant. The background score (Pritam and Anupam Amod) throws dramatically. This film has its moments, but is not as convincing as the precursor.
Akshay does Bhai extravagant act and Mojo. It has the ability to do what he does best - herogiri (much less threatening, more entertaining), with the charisma and dialoguebaazi declamation. Imran seems too soft for the role, but eventually rolls up his sleeves to play with a dil gift, good performance in emotional scenes. Dabangg Sonakshi delete an act of high position between two capos daunting.
After Shoaib (Akshay) broke his own guru of the band (the prequel), the decision of the mafia with Terror Squad scattered everywhere. Of course, the city of Mumbai wrapped in glamor, fame and bloody crimes still bhais folders ("ke Baad Samundar Mumbai Shoaib is jani jaati hai!") Imagined. Brings together young Shoaib Aslam (Imran) of chawls and takes him under his wing. His' bhaihood is bulletproof, but only later, when years starlet Jasmine (Sonakshi) between Shoaib and arrested with his charm and gullibility. The Rogue Romeo becomes an obsession, but it was "theme" Aslam selected. Suddenly the way down the other
dhandas mortals to deal with crimes of passion instead (great!).
Milan Luthria captures the essence of the era, full of characters behind life "Dark Shadows" with an even darker consciousness. It is a love story of a gangster, who every day not opened down crime. The first part is attractive; slowness is not the same fluid. Powerful dialogues (Rajat Aroraa) drama punch in history, although sometimes too dominant. The background score (Pritam and Anupam Amod) throws dramatically. This film has its moments, but is not as convincing as the precursor.
Akshay does Bhai extravagant act and Mojo. It has the ability to do what he does best - herogiri (much less threatening, more entertaining), with the charisma and dialoguebaazi declamation. Imran seems too soft for the role, but eventually rolls up his sleeves to play with a dil gift, good performance in emotional scenes. Dabangg Sonakshi delete an act of high position between two capos daunting.