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Roy – Bollywood Movie  Review of This Month



 

Roy – Bollywood Movie

Director:  Vikramjit Singh

Genre: Romance

Release date:  13  February, 2015

Run Time: Not Available

Cast: 
1.       Ranbir Kapoor as Roy,
2.       Arjun Rampal as Kabir Grewal,
3.       Jacqueline Fernandez as Ayesha Aamir,
4.       Anupam Kher as Kabir's father,
5.       Shibani Dandekar as Zoya

Produced:
Divya Khosla Kumar,
Krishan Kumar,
Bhushan Kumar

Production co:
T-Series
 
Story:
Vikramjit Singh
 
Cinematography: 
Himman Dhamija
 
Country:
India

Language:
Hindi





Review:  Suspense-thrillers have forever been one among the favorite genres of screenland lovers. augment that some melodious music and you've got a winner. This week's unharness ROY leading Ranbir Kapoor, Arjun Rampal and Jacqueline Fernandez have secure the higher than parts. can ROY create the cut and become a match winner for its manufacturers and also the B-O windows... let\'s analyse.

The film starts off with AN interview of the film maker Kabir Grewal (Arjun Rampal), the terribly man UN agency, must his credit, the prospering film series 'Guns' (which is predicated on a mysterious art crook Roy (Ranbir Kapoor). The irony of Kabir's life is that he's within the news for his transient flings than his hit movies... most so, even the media 'remembers' his flings by numbers and not names!

Roy could be a smooth-operator crook UN agency makes a living out of stealing arts (read 'priceless paintings'). And in one such heist, he finishes up in Asian nation, that conjointly happens to be the domain of the rich ischemia (Jacqueline). at the same time, littered with a 'writer's block', Kabir too finishes up in Asian nation so as to shoot AN incomplete script of his third instalment of 'Guns'. that is once he finishes up meeting a London primarily based movie maker Ayesha Aamir (Jacqueline Fernandez, in a very double role). Ayesha, UN agency is in Asian nation to film her new documentary, conjointly happens to envision into constant building as Kabir. In no time, she finishes up turning into his 'Girlfriend No.23', because the media reports. Kabir, UN agency is in search of inspiration for his film finishes up falling head over heels taken with with Ayesha Aamir, most so he becomes chopfallen once Ayesha leaves him. At constant time, Kabir's father semen confidant (Anupam Kher) conjointly passes away, therefore creating Kabir's life a lot of miserable. On the opposite hand, Roy, UN agency realizes his love for ischemia, desires to depart the unhealthy criminal life behind him and begin contemporary.

Will the 'self-confessed-thief' Roy become prospering in going his past behind and begin a clean life with ischemia, can Kabir manage to complete the third instalment of Guns, and do Roy and Kabir get the individual love of their lives... is what forms the remainder of the film.

As way because the film cares, adult female Vikramjit Singh steps into screenland with a movie that\'s slow paced and long. His sense of storytelling has to be a lot of polished than this 1. Brownie points to Singh for having captured the luscious fantastic thing about Asian nation in its raw essence. He ought to have created some makes an attempt to differentiate between the 2 characters that Jacqueline plays, because it would possibly confuse the viewer between the 2 parallel stories.

As way because the performances area unit involved, because the name suggests, its Ranbir Kapoor UN agency steals the thunder. all told fairness, he's so the draw of the film. he's adept and whole relaxed once handling intense scenes. even supposing he lends a good share of mystery to 'Roy', he ne'er permits himself to travel off-guard. As way as Arjun Rampal cares, he delivers a really restrained and a really presumptive performance. At constant time, knowing his acting artistry, one conjointly feels that, he undoubtedly may have handled the film with moreover intently than this one. even supposing Jacqueline Fernandez, UN agency appearance beautiful in a very number of songs, could be a 'newcomer' once it involves double roles, she will manage to deliver an honest performance in each the roles. Anupam Kher excels within the role that appears to be custom-made  for him. whereas Cyrus the Younger Broacha and Rajit Kapoor area unit average, the eye-candy Mandana Karimi makes her presence felt in a very short lived anaglyph.

The film scores heavily on its music (Amal Mallik). The songs ‘Tu hai ke nahin’,  'Sooraj dooba hai', 'Chittiyaan kalaiyaan' area unit already a rage all over and it stays with you for a protracted time even once the film is over. The film's background music (Sanjay Chaudhary) adds some a lot of further spice. The film's choreography (Ahmed Khan) is sweet. Despite the film's genre, there aren't any extraordinary dialogues (Vikramjit Singh, Hussain Dalal). filming (Himman Dhamija) is incredibly stylish. script (Vikramjit Singh) on the opposite hand undoubtedly may are higher.

On the total, ROY could be a film to be watched if you're a disciple of heroic tale movies with some stirring music.
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The SpongeBob Movie: Sponge Out of Water – Hollywood Movie Review of This Month




The SpongeBob Movie: Sponge Out of Water – Hollywood Movie

Director: Paul Tibbitt

Genre: Comedy

Release date:  February 6, 2015

Run Time: - Not Available

Cast:
1.       Tom Kenny as SpongeBob SquarePants .
2.       Bill Fagerbakke as Patrick Star,
3.       Rodger Bumpass as Squidward Tentacles,
4.       Carolyn Lawrence as Sandy Cheeks,
5.       Mr. Lawrence as Plankton,
6.       Clancy Brown as Mr. Krabs,
7.       Antonio Banderas as Burger-Beard the Pirate


Producer:
Mary Parent

Production Co:
United Plankton Pictures,
Paramount Animation

Music:
John Debney

Story:
Stephen Hillenburg

Cinematography:
Phil Meheux

Country:
United States

Language:
English,


Review:  It would seem even the manufacturers of SpongeBob’s 1st big-screen caper since 2004’s chirpily entertaining  The SpongeBob SquarePants show understand that the $64000 magic happens below the surface.
For though the title and people persistent TV ads may counsel otherwise, solely alittle fraction of The SpongeBob Movie: Sponge Out of Water truly takes place on top of water level.
But instead of any increasing those on the face of it limitless SpongeBob horizons, the live-action/CG stuff ne\'er gratifyingly jibes with the normal marine nonsense down below.
Despite the ensuing watered-down result, it ought to be procession at the box workplace for the predominate unharness, that washes au courant yankee shores Gregorian calendar month. six (bumped from last November) following one or two of earlier overseas openings.
With virtually two hundred episodes airing thus far, Stephen Hillenburg\'s lovely yellow and porous character has reportedly generated some $8 billion in commercialism revenues for record player since 1st rising in 1999.
Armed with a far larger production budget, it’s primarily business as was common down in swimsuit Bottom, wherever being (voiced by Mr. Lawrence) is all over again plotting to induce his hands on the key Krabby Patty formula.
But once it on the face of it evaporates into nothingness, turning swimsuit Bottom in Associate in Nursing “apocalyptic cesspool” within the aftermath, he Associate in Nursingd SpongeBob (Tom Kenny) create an unorthodox team as they travel through time in an exceedingly reconfigured exposure booth in an exceedingly bid to revive order.
Meanwhile, up within the live-action world, the half-crazed Burger Beard (Antonio Banderas) has his own wicked plans for Mr. Krabs’ (Clancy Brown) cherished patties.
Of course, it’s solely a matter of your time before the 2 worlds collide, however it takes plenty longer to happen than the promoting materials would indicate.
As old fans recognize, SpongeBob’s previous makes an attempt to return up for air haven’t gone too well, nevertheless a unforgettable second interaction with David Hasselhoff within the last show.
Here, old series director Paul Tibbitt handles the underwater sequences whereas microphone Mitchell directs the live-action sequences, however the 2 worlds fail to make a cohesive whole in spite of all the galvanized non sequiturs provided by the Jonathan Aibel and John Herschel Glenn Jr. Berger script.




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