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Showing posts with label Fantasy Films. Show all posts
Showing posts with label Fantasy Films. Show all posts
Seventh Son – Hollywood Movie Hollywood Movie review of This Month




Seventh Son – Hollywood Movie

Director: Sergei Bodrov

Genre: Fantasy

Release date:  February 6, 2015


Run Time: - 103 minutes

Cast:
1.       Ben Barnes as Tom Ward,
2.       Alicia Vikander as Alice Deane,
3.       Julianne Moore as Mother Malkin,
4.       Kit Harington as Billy Bradley,
5.       Jeff Bridges as the John Gregory,
6.       Antje Traue as Bony Lizzie,
7.       Olivia Williams as Mam



Producer:
Thomas Tull,
Lionel Wigram,
Basil Iwanyk

Production Co:
Legendary Pictures,
Thunder Road Film

Music:
Marco Beltrami
 
Cinematography:
Newton Thomas Sigel
 
Story: 
Matt Greenberg
 
Country:
United States

Language:
English,




Review:  Mel Brooks popularized that proverb in a very funny song he co-wrote for one in every of his most amusing films, the comparatively obscure 1970 “The Twelve Chairs.” It is a helpful sentiment usually, but, for the film reviewer, one thing that applies most notably within the 1st 2 months of the New Year, which, a minimum of as way as studio product thinks about, represent a selling ground for problematic product or simply plain unmarketable merchandise.
Given the very fact that its U.S. unleash date was affected not once, but twice, which it currently finds itself occupying a date within the same selling ground, one would possibly expect the Sergei-Bodrov-directed “Seventh Son,” a medieval fantasy tale with a robust Young Adult stress in its plotting (not shocking, as it’s supported a YA book, the primary of 3 thus far that includes constant characters, as is that the factor these days) to be pretty unhealthy. But, surprise! One doesn’t need to damn the motion picture with faint praise by oral communication “it’s not that unhealthy,” but that’s reasonably the foremost objectively correct description of it, all told honesty. Subjectively, though? This critic, who’s Associate in Nursing unembarrassed fan of the myth-mash-up monster movies of the ‘50s and ‘60s that featured a overplus of stop-motion-animated monsters and such, found himself rather enjoying over a couple of parts of the motion picture, that so options a overplus of computer-animated monsters that a minimum of appear to possess been galvanized by the work of such old-school technical school masters as Ray Harryhausen.
Another attraction is that the adult leads of the image square measure Jeff Bridges and Julianne Moore. Bridges plays a godly witch-hunting “spook” (he’s additionally a Knight of some secret sacred order or another) whereas Moore plays a near-omnipotent witch who’s attending to use the once-in-a-hundred-years “night of the blood moon” to form herself 100% almighty. in fact these 2 characters have a romantic back-story. in fact they are doing. Since each different film critic writing concerning this motion picture goes to form some reasonably “I didn’t assume the sequel to ‘Big Lebowski’ would be THIS weird jokee, I’ll spare you my go. It is, however, a pleasure to check The fop and Maude in a very clinch over again, although Bridges’ mumble-mouthed, brunette hero is additional like his “True Grit” chicken Coburn crossed with Richard Harris in “Camelot,” had Richard Harris been seventy in “Camelot.” In different words, it’s a very eccentric performance, and why not. As for Moore, she appearance beautiful and slithers with enough menace that you just will nearly persuade yourself that her dragon-morph is not a effect.
The YA facet is provided by the spook’s new apprentice, the titular seventh son Tom Ward (Ben Barnes), who, of course, falls for a young person witch (half-witch, additional accurately; the condition of half-witchdom plays an important albeit entirely sure half within the plot) who’s the girl of Moore’s right-hand witch. the quality complications prove, however they’re pretty straightforward to gloss over if you only wanna get off on the fellas battling man-bears and multi-armed fencer and a hairless guy UN agency will build ax-blades out of his hands once he’s NOT being a dragon. At such points, and notably throughout a cliff-diving-and-waterfall scene within which Tom goes up against a really stubborn large, “Seventh Son” builds up the goofy charm of Associate in Nursing old-school weekday afternoon representation. The technical school credits, as they decision them within the trades, tell you why: the consequences were designed by original “Star Wars” guy John Dykstra, and also the luxurious art direction is by poet Ferretti, who’s worked magic for the likes of Fellini, Scorsese and De Palma. Olivia Williams and Djimon Hounsou square measure welcome parts within the supporting forged, and also the physical object is over and finished in a very good buy but 2 hours. A lofty medium achievement? Hardly. however not entirely unsatisfactory if this specific genre itch wants some scratching.
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Maleficent - Hollywood Movie  Review of This Month





 Maleficent - Movie  Review

Director: Robert Stromberg

Genre: Fantasy

Release date:  May 30, 2014 (United States)

Run Time:  97  minutes

Cast:
  1. Kenneth Cranham as King Henry,
  2. Sam Riley as Diaval
  3. Imelda Staunton as Knotgrass
  4. Elle Fanning as Princess Aurora,
  5. Sharlto Copley as King Stefan,
  6. Angelina Jolie as Maleficent,
  7. Ella Purnell and Isobelle Molloy as young Maleficent



Review:  When I was a young girl living in the land of fairies, Maleficent is not a bad person to start. In fact, according to a copy of the story, his life was full of imagination and wonder in the wilderness and forests she lived.


But as time passes, things change when King Henry (Cranham) decides to take care of his beloved homeland. And it represents the conflict between the two worlds - that of man, and the type of Evil. While she had befriended a boy named Stefan (played as an adult by Copley) when young, future ambitions that have an important impact on the story unfolds.

And so, Stefan turns to a friend foe, a transformation that is scary in a scene. Therefore, the shock and betrayal Evil is the feeling is somewhat justified and understandable. His grudge against Stefan starts here, she takes it upon himself the best way he knows. And as history, the daughter of Stefan Aurora, through no fault of yours is cursed. But just when the story seems to take a predictable turn, we see an unexpected link between Maleficent begin to develop and the young Princess Aurora (Fanning) is surprising, since the two can not be different from each other - Evil is a melancholy person whose trust is a raven named variable geometry DIAVAL (Riley), while Aurora is a charming and happy girl. Aurora has a goodness that evil can remember how it used to be.

Maleficent is Angelina Jolie vehicle almost to the end, because seeing how it fits that role to the letter, it is difficult for anyone else living in the nature of a good person who was hurt yourself Similarly, as the film. Fanning infused her character with a freshness that balances good against evil behavior. However, taking an imaginative on the old classic.
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I, Frankenstein - Hollywood Lover Review of This Month





I, Frankenstein - Lover Review

Director: Stuart Beattie

Genre: Fantasy
Release date:
January 24, 2014 (US),
 March 20, 2014 (AU),

Run Time: 92 minutes


Cast:  
  1. Aaron Eckhart, 
  2. Bill Nighy, 
  3. Miranda Otto, 
  4. Yvonne Strahovski, 
  5. Socratis Otto , 
  6. Jai Courtney , 
  7. Nicholas Bell , 
  8. Kevin Grevioux , 
  9. Steve Mouzakis , 
  10. Penny Higgs , 
  11. Caitlin Stasey , 
  12. Deniz Akdeniz , 
  13. Virginie Le Brun, 
  14. Goran D. Kleut , 
  15. Mahesh Jadu , 
  16. Aden Young 


Review:  Adapted from the graphic novel by Kevin Grevioux, which was inspired by the Gothic novel "Frankenstein" by Mary Shelley, the movie, "I, Frankenstein" is a story fiction horror action fantasy science cum survival of the fittest packaged. But unlike the emotional leader of Mary Shelley, director Stuart Beattie is a monotone facsimile celluloid.

The film begins mysteriously. In 1795, a man sweatshirt with a hideous face is marked with a corpse from a bridge into a raging river and said, "A life for a life, that's what I wanted so I killed his wife .. "The following is the hooded man being chased by Frankenstein in the Arctic, but the cold kills and hooded man gives him an honest burial beside his wife. These early scenes capture the dynamics and spookiness of the plot.
Moments later, the hooded man is haunted by demons in an attempt to kill him. Then, suddenly, they were gone for a couple of gargoyles in a very guarded cathedral where it is offered to the queen gargoyle Leonore compassion performed. During the interview showed that 200 years have passed after the first incident. It reveals man with hood, "You are attracted to a war is being waged between the demons and gargoyles after being rejected by his human creator, Victor Frankenstein." This implies that the hooded man is a monster.

They took the monster without a name, "Adam" and feed the demons could be destroyed by the sacramental offering as "Bible and holy water" She also points out. "You will be haunted by Naberius, the prince of demons because they are full of strength, speed and Power- more than a man. "

Apparently Prince Naberius under cover of Wessex, is willing to consider the creation of Adam, so you can an army of soulless body could create his own demons then. On the other hand to keep the gargoyles hope Adam and dairy Frankenstein come demons.

Adam was not interested in participating on both sides, what follows is a battle for survival with demons, disintegrates in tons of bright red ash and lower gargoyles heavenly blue rays.

By applying a strong argument and graphics shallowness of the script is full of explanatory dialogue without heavy sense of humor. This makes the experience of watching a bit boring.

Aaron Eckhart their tight six pack is inserted into the skin of Adam with natural grace. His widely attached mask helps to paint a picture more frowning in harmony with the sample of Scarface.

Miranda Otto as Queen Leonore and Bill Nighy as the emotion and the treacherous prince Naberius are unused. Team leaders at the lanky frame, appears to be ineffective and uninteresting to you. Therefore leaving no influence. In fact, the gargoyles and demons lower levels in the human avatar with well sculpted body that adds glamor quotient on the screen.

Beattie Director ensures that the film is full of elegant print action sequences. With images of computer generated visual effects perfectly integrated live in a defined environment filled with lights and place. The sets, costumes and other elements of the production design are attractive and pleasing to the eye, but only when the camera is still quite long.

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